The magician, Drosselmeyer, gives Clara, a ballet student, a nutcracker doll. Sir Peter Wright has been extremely important to the development of ballet in England.He is now 90, but for this new series of performances he will come to Amsterdam again (weather permitting) to coach a new generation of dancers. Peter Wright's interpretation of The Nutcracker has been enchanting children and adults alike since its first performance by The Royal Ballet in 1984. Sir Peter Wright is a British ballet teacher, choreographer, director and former professional dancer. This article first appeared in the Australian Ballet’s program for its 2014 season of Sir Peter Wright’s Nutcracker in Melbourne and Sydney. Producer Peter Wright, Royal Ballet Principals Natalia Osipova, and Carlos Acosta in rehearsals for Giselle. The Nutcracker will be the theme for the iconic shop’s annual Christmas display. He received the Evening Standard Award for Ballet in 1981, and in 1985 was made a CBE. In 1990 Wright was presented with the Queen Elizabeth II Coronation Award by the Royal Academy of Dance, an Honorary Doctorate from London University and in 1991 was made a Fellow of the Birmingham Conservatoire of Music. Sir Peter Wright rehearsing Greta Hodgkinson in Giselle.Photo by Cylla von Tiedemann. He is also a governor of the Royal Ballet School. When the clock strikes twelve, dreams and magic are unleashed as the doll springs to life. Production. Performed by The Australian Ballet,Peter Wright's production of The Nutcracker is considered the world's most beautiful. Read more about Sir Peter Wright Having the opportunity to be coached by Wright in the studio was fascinating, and working with several casts of principals […] Peter Wright made his debut with Ballets Jooss in 1943. And there’s no traditional Nutcracker as magical as Peter Wright’s.. Peter Wright’s The Nutcracker Returns to the Royal Ballet so it is Officially Christmas 30/12/2020 06/12/2017 by Jim Pritchard United Kingdom Tchaikovsky, The Nutcracker (choreography by Peter Wright): Soloists, corps de ballet, London Oratory Junior Choir, The Schola Cantorum of the London Oratory School and the Orchestra of the Royal Opera House / Barry Wordsworth (conductor). Peter Wright’s modelling days in the 1940s. Sir Peter Wright, … Photo by Roger Wood, Steven McRae as The Prince and Iana Salenko as the Sugar Plum Fairy in The Nutcracker, Eric Underwood and Olivia Cowley in The Nutcracker, The Royal Ballet, Lesley Collier, Akane Takada as Giselle and Peter Wright in rehearsal for Giselle, The Royal Ballet, Stella Claire, Arnott Mader, Graham McCormack and Peter Wright in 'Coffee from Arabia' in Sadler's Wells Theatre Ballet (Second Company) production of Two Scenes from Casse-Noisette. Coupled with Tchaikovsky's score,its a … The success of the BRB Nutcracker is really down to Peter Wright and designer John Macfarlane – it’s lavish but not in a bling way with cheap gold and crystals spread thick, but in terms of its design richness and depth. Photograph by Roger Wood, Valentino Zucchetti and Yuhui Choe in Giselle, The Royal Ballet, Credited with The Royal Ballet had scheduled 17 performances of a reworking of Peter Wright’s well-loved 1984 Nutcracker. It would need a very hard heart not to be warmed by Sir Peter Wright’s sparkling production of The Nutcracker (for The Royal Ballet) and it was especially heartening to see this nonagenarian in the audience to celebrate another year’s opening of one of his most enduring achievements. Sir Peter Wright Production and staging. Lev Ivanov’s 1892 ballet combined with Tchaikovsky’s sumptuous, iconic score are presented in a festive period setting with vivid designs to make this a charming and magical production. He is president of the Benesh Institute (Dance Notation) and the Friends of Sadler's Wells Theatre and a vice president of The Royal Academy of Dancing and the Myasthenia Gravis Association. In 1990 he was awarded an Honorary Doctorate of Music from London University, the University of Birmingham conferred on him the title of Special Professor of Performance Studies and he was presented with the Elizabeth II Coronation Award from the Royal Academy of Dancing. He created his first ballet, A Blue Rose, for Sadler’s Wells Theatre Ballet, performed at the Royal Opera House in 1957. "At our core we believe art, beauty and community will always prevail." He had the title Director Laureate conferred on him by Princess Margaret on his retirement from the company in 1995. His Royal Ballet productions of The Nutcracker and Giselle are among the most popular works in the Company’s repertory. Giselle’s essence has remained the same through many different productions in well over a century of continuous performance. The artistic director of Birmingham Royal Ballet has created a gold-standard production of this beloved party piece, remaining faithful to … Sumptuously staged and set to Tchaikovsky’s celebrated score, this ballet is a truly magical experience for the whole family. Production and His Royal Ballet productions of The Nutcracker and Giselle are among the most popular works in the Company’s repertory.. Wright made his debut as a dancer with Ballets Jooss during World War II. Peter Wright’s The Nutcracker is famous for its gorgeous costumes, theatrical sets and spectacular props. He also won the 1991 Digital Premier Award, which he used to commission a new ballet for the Company. Lev Ivanov's 1892 ballet combined with Tchaikovsky's sumptuous, iconic score are presented in a festive period setting with vivid designs to make this a charming and magical production. In 1977 he was appointed Director of Sadler’s Wells Royal Ballet, supervising the company’s transformation into Birmingham Royal Ballet in 1990. His autobiography Wrights & Wrongs: My Life in Dance was published in 2016. The “wonderful” life of Sir Peter Wright. You could see the difference between the villagers and the court, both in costume design (which was excellently done for both acts). He created his first ballet, A Blue Rose, for Sadler’s Wells Theatre Ballet in 1957. He is a Vice-President of the Royal Academy of Dance and Patron of the London Ballet Circle. The Kingdom of Sweets is an integral part of this much-loved festive ballet, but it changes from Nutcracker to Nutcracker. Peter Wright’s interpretation of The Nutcracker has been enchanting children and adults alike since its first performance by The Royal Ballet in 1984. Giselle is the classic ballet of the Romantic era. Ellen Overstreet was partnered effortlessly by Ricardo … "A kaleidoscopic love letter to Sir Peter Wright’s 'The Nutcracker' and a profoundly heartfelt token of gratitude made for all the Royal Ballet’s loving supporters and donors. His other production for The Royal Ballet, Giselle, is another of the most popular works that the Company … The curtain is about to be raised on backstage ballet rage among legendary figures like Rudolf Nureyev and Sir Kenneth MacMillan. Kevin O’Hare, Director of The Royal Ballet comments: “With our live shows sold out, it’s very special that we can share The Nutcracker Reworked, a 2020 restaging of Peter Wright’s cherished production for audiences around the world unable to join us in the theatre. Not just any old Nutcracker, mind, but the 500th performance of Sir Peter Wright’s bespoke production. “Sir Peter Wright’s Giselle is truly the greatest production one can perform today,” explains Iain Webb, Director of The Sarasota Ballet. His production of the Christmas favourite is the most performed production that the Company has in its repertoire. Back in April, I worked on Peter Wright’s version of the Romantic ballet Giselle. Music performed by Orchestra Victoria. Peter Wright’s production for The Royal Ballet is based on Marius Petipa’s classic version (after the original 1841 choreography by Jules Perrot and Jean Coralli), which was first staged in St Petersburg in … In 1991 he was made a Fellow of the Birmingham Conservatoire of Music. There he choreographed several ballets, including The Mirror Walkers, Namouna, Designs for Dancers and Quintet, and mounted his first production of Giselle, which he has subsequently produced for The Royal Ballet, Birmingham Royal Ballet and many other international companies. Royal Opera House, London Despite fewer dancers and musicians, Peter Wright’s production is a gorgeous spectacle at Covent Garden Last modified on Mon 14 Dec 2020 08.48 EST To the ballet … The ballet was first performed by the Australian Ballet in 2007. 3320538 | Registered charity no. The Royal Ballet – Peter Wright’s production of The Nutcracker conducted by Koen Kessels – Laura Morera, Federico Bonelli, Anna Rose O’Sullivan & Claire Calvert Tchaikovsky The Nutcracker, Op.71 – Ballet in two acts to choreography by Peter Wright after Lev Ivanov, based on an original scenario by Marius Petipa after E. T. A. Hoffmann’s Nussknacker und Mausekönig His other interpretations of the classics include The Sleeping Beauty, Coppélia, Swan Lake and The Nutcracker and these productions now feature regularly in opera houses throughout the world. Additional choreography, © 2021Royal Opera HouseBow StreetCovent GardenLondonWC2E 9DD, Book onlineTickets for upcoming events are only available online, Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775), Tickets for upcoming events are only available online, Sugar and spice and all things nice: delving into. He … Choreographer and director Peter Wright is one of the most eminent names in ballet. © Birmingham Royal Ballet | Company registration no. He is one of the most eminent names in ballet, and between 1977 to 1995 he held the position of artistic director to the Birmingham Royal Ballet (previously the Sadler’s Wells Royal Ballet), where he still holds the title of Director Laureate. The full ballet by Sir Peter Wright was recovered and first performed by the Sarasota Ballet in 2015. Photog by Roger Wood, Peter Wright on far left with other dancers, backstage at Sadler's Wells Theatre Ballet (Second Company) production of Two Scenes from Casse-Noisette (1951) at the Sadler's Wells Theatre, London. A new feature-length documentary captures the backstage preparations for the return of The Royal Ballet's iconic Christmas production. Last night The Royal Ballet dedicated the performance of The Nutcracker to its choreographer Sir Peter Wright who tomorrow, 25 November,celebrates his 90th birthday. In 1959 he was appointed Ballet Master to the Sadler's Wells Opera and teacher at the Royal Ballet School. He was awarded a knighthood (1993), an Honorary Doctorate of Letters from the University of Birmingham (1994), the De Valois Award for Outstanding Achievement in Dance (2004) and the Centenary Award for Dance (2013). John Macfarlane’s ravishing design moves from a richly crimson Edwardian home to the sparkling Land of Snow to the vivid Land of Sweets in a series of breathtaking transformations with costumes to match. Jul 29, 2014 - Peter Wright’s production of The Nutcracker is considered the world’s most beautiful, and coupled with Tchaikovsky's beloved score, it truly is a magical experience for the whole family. In 1977 he was appointed Director of Sadler's Wells Royal Ballet, taking the Company to Birmingham in 1990, when it became Birmingham Royal Ballet. The Sarasota Ballet in Sir Peter Wright’s Giselle – Photography Frank Atura. Wright made his debut as a dancer with Ballets Jooss during World War II. Tomorrow afternoon, Birmingham Royal Ballet will dance a matinee of The Nutcracker. It’s a piece that continues to capture our imaginations because it examines both the euphoria, and the destructive capacity of love. Peter Wright made his debut as a professional dancer with the Ballets Jooss during World War II and in the 1950s worked with several dance companies, including the Sadler's Wells Theatre Ballet, for which he created his first ballet, A Blue Rose, in 1957. In 1969 he returned to The Royal Ballet as Associate to the Directors and then became Associate Director. During the 1960s he also established himself as a successful director of television ballets and choreographed various West End musicals and revues. In 1961 he joined John Cranko’s new Stuttgart company as Teacher and Ballet Master, choreographing several ballets and mounting his first production of Giselle. On his retirement in July 1995 he was made Director Laureate of Birmingham Royal Ballet. In 1969 he joined The Royal Ballet as Associate to the Directors, later Associate Director. Performed by The Australian Ballet. Production and scenario, Credited with He was awarded a knighthood in the 1993 Queen's birthday honours list, in 1994 an Honorary Doctorate of Letters from the University of Birmingham and the Critics' Circle Award 1995 for Distinguished Services to the Arts. It transformed the dance world when it was first performed in Paris in 1841 and remains at the centre of the classical repertory. The Australian Ballet shines in this charming classic. Cherished on every ballet world stage, The Nutcracker can be enjoyed at any time of year, especially as presented in The Australian Ballet’s decadently sumptuous production. Peter Wright on the far left and other dancers backstage at the Sadler's Wells Theatre Ballet (Second Company) production of Two Scenes from Casse-Noisette (1951) at the Sadler's Wells Theatre, London. Biography Choreographer, Giselle Sir Peter Wright made his debut as a professional dancer with the Ballets Jooss during World War II and appeared with several dance companies in the 1950s including Sadler’s Wells Theatre Ballet. There’s nothing like a traditional Nutcracker to get you in the mood for the festive season. Peter Wright made his debut as a professional dancer with the Ballets Jooss during World War II and in the 1950s worked with several dance companies, including the Sadler's Wells Theatre Ballet, for which he created his first ballet, A Blue Rose, in 1957.In 1959 he was appointed Ballet Master to the Sadler's Wells Opera and teacher at the Royal Ballet School. Sir Peter Wright’s conversation is peppered with the word ‘wonderful’. 1061012. In 1961 he went to Stuttgart as teacher and ballet-master to the company being formed by John Cranko. Choreography and Wright’s productions of the classics now feature in the repertories of companies around the world. 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